When John Jody got out of the military at the end of 2019, the last thing on his mind was releasing an album. He had just finished five years in the Army, and his main goal was getting on his feet as a civilian. "I basically fell flat on my face," says Jody. "Which I think is a pretty typical experience for guys getting out. The civilian world is a whole different animal. Different work, different people, different lifestyle."
The pandemic made the transition even harder. Finding himself out of work and stuck at home, Jody decided to record an album under the name Black Nash, which he'd been using casually for home-recording projects throughout his time in the Army.
The resulting self-titled LP is a taut, focused tour de force. Performed and recorded by Jody himself (with support on drums from friends in Florida and Nashville), "Black Nash" is a 25-minute blast of claustrophobic energy, driving from guitar-heavy climax and restless soliloquies. The songs rarely last more than three minutes. The feelings of restlessness are universal.
"I was totally isolated while I was recording," says Jody, "and I already didn't know anybody where I was living before COVID hit, so the album ended up sounding like quarantine, to me, at least." In songs like "Alligator" and "4 I.O." Jody excoriates a nameless "you," dripping with disdain and anger. On "Love Underwater" he navigates a surreal cultish landscape: "Love underwater is not what I thought it'd be / They took dolphins and force-fed them ecstasy." Throughout, the music bristles with force and tension. Limiting himself to the format of a conventional four-piece rock band-—each track features only one vocal track, two guitar tracks, bass, and drums—Jody has constructed musical environments that are both completely airless and full of open space.
Jody, now living in New York City, is circumspect about connecting the album to his biography. "I'm a happy dude," he says. "I don't think this album reflects who I am all the time, and it's definitely not any kind of commentary on my experience in the military. Who wouldn't be a little wound up this year?" One thing is clear: "Black Nash" is music for 2021.
Elliot Hartman-Russell is a man who wears many hats and sits in many chairs. His far ranging musical output includes Sweat Enzo, Rock N' Roll Porch, Heartman & Russell, and Jumpy. He also comprises 1/3 of the Valley's beloved Thee Arcadians. The Musical Chairs is Elliot's newest brainchild, and distills his signature brand of heart-on-the-sleeve power pop into a collection of effortless-sounding earworms.